Wolfgang Amadeusz Mozart cytaty

Wolfgang Amadeusz Mozart Fotografia
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Wolfgang Amadeusz Mozart

Data urodzenia: 27. Styczeń 1756
Data zgonu: 5. Grudzień 1791

Reklama

Wolfgang Amadeus Mozart – austriacki kompozytor i wirtuoz gry na instrumentach klawiszowych, którego twórczość związana była głównie z austriackim Wiedniem. Razem z Haydnem oraz Beethovenem zaliczany do trójki klasyków wiedeńskich.

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Cytaty Wolfgang Amadeusz Mozart

„Ach, gdybyśmy mieli klarnety!“

— Wolfgang Amadeusz Mozart
w liście do ojca po tym, jak usłyszał brzmienie klarnetu.

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„I must give you a piece of intelligence that you perhaps already know — namely, that the ungodly arch-villain Voltaire has died miserably like a dog — just like a brute. That is his reward!“

— Wolfgang Amadeus Mozart
Letter to Leopold Mozart (3 July 1778), from The letters of Wolfgang Amadeus Mozart, 1769-1791, translated, from the collection of Ludwig Nohl, by Lady [Grace] Wallace (Oxford University Press, 1865, digitized 2006) vol. I, # 107 (p. 218) http://books.google.com/books?vid=0SGwLiCNxu7qZ5ch&id=KEgBAAAAQAAJ&printsec=titlepage&dq=%22The+letters+of+Wolfgang+Amadeus+Mozart,+1769-1791%22#PRA1-PA218,M1

„Melody is the essence of music. I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone and remember the old Italian proverb: Chi sa più, meno sa—Who knows most, knows least.“

— Wolfgang Amadeus Mozart
As spoken to Michael Kelly, from Reminiscences of Michael Kelly, of the King's Theatre, and Theatre Royal Drury Lane, including a period of nearly half a century; with Original Anecdotes of many distinguished Personnages, Political, Literary, and Musical (London, Henry Colburn, 1826; digitized 2006), 2nd ed., vol. I (p. 225) http://books.google.com/books?vid=OCLC00439352&id=ph3XEMzGt5YC&pg=RA2-PA225&lpg=RA2-PA225&dq=%22Melody+is+the+essence+of+music%22&hl=en

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„Neither a lofty degree of intelligence nor imagination nor both together go to the making of genius. Love, love, love, that is the soul of genius.“

— Wolfgang Amadeus Mozart
True genius without heart is a thing of nought - for not great understanding alone, not intelligence alone, nor both together, make genius. Love! Love! Love! that is the soul of genius. - Nikolaus Joseph von Jacquin, entry in Mozart's souvenir album (1787-04-11) from Mozart: A Life by Maynard Solomon [Harper-Collins, 1966, ], p. 312.

„I pay no attention whatever to anybody's praise or blame. I simply follow my own feelings.“

— Wolfgang Amadeus Mozart
Unsourced in Musician's Little Book of Wisdom‎ (1996) by Scott E. Power, Quote 416.

„What was evident was that Mozart was simply written down music already finished in his head. And music, finished as no music is ever finished.“

— Wolfgang Amadeus Mozart
Context: What was evident was that Mozart was simply written down music already finished in his head. And music, finished as no music is ever finished. Displace one note and there would be diminishment. Displace one phrase and the structure would fall. I was staring through the cage of those meticulous ink strokes at an absolute beauty. Peter Shaffer (spoken by Antonio Salieri in Shaffer's play Amadeus and slightly reworded in the movie adaptation of the play).

Reklama

„Mozart was the Shakespeare of music“

— Wolfgang Amadeus Mozart
Context: Mozart was the Shakespeare of music; and as long as the immortal bard is read, Mozart will live in the admiration of mankind. He has reached the passions through the ear as Shakspeare did through the mind, and no works will live that do not touch the passions and the heart — they are the same in all ages, and will make Shakspeare and Mozart a poet and a composer "For all time". The New-York Mirror, 1830, quoted in The New York Mirror: A Weekly Gazette of Literature and the Fine Arts, volume 8, p. 347.

„It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart.“

— Wolfgang Amadeus Mozart
Context: It may be that when the angels go about their task praising God, they play only Bach. I am sure, however, that when they are together en famille they play Mozart. Wolfgang Amadeus Mozart (1956), as translated by Clarence K. Pott

„Granted, darkness, chaos, death and hell do appear, but not for a moment are they allowed to prevail. Knowing all, Mozart creates music from a mysterious center, and so knows the limits to the right and the left, above and below. He maintains moderation.“

— Wolfgang Amadeus Mozart
Context: Mozart's music is free of all exaggeration, of all sharp breaks and contradictions. The sun shines but does not blind, does not burn or consume. Heaven arches over the earth, but it does not weigh it down, it does not crush or devour it. Hence earth remains earth, with no need to maintain itself in a titanic revolt against heaven. Granted, darkness, chaos, death and hell do appear, but not for a moment are they allowed to prevail. Knowing all, Mozart creates music from a mysterious center, and so knows the limits to the right and the left, above and below. He maintains moderation. As quoted in "Amadeus : Sin, Salvation and Salieri" in Saint Paul at the Movies : The Apostle's Dialogue with American Culture (1993) by Robert Jewett, p. 37, and Melting the Venusberg : A Feminist Theology of Music (2004) by Heidi Epstein, p. 72.

„Mozart's music is free of all exaggeration, of all sharp breaks and contradictions. The sun shines but does not blind, does not burn or consume.“

— Wolfgang Amadeus Mozart
Context: Mozart's music is free of all exaggeration, of all sharp breaks and contradictions. The sun shines but does not blind, does not burn or consume. Heaven arches over the earth, but it does not weigh it down, it does not crush or devour it. Hence earth remains earth, with no need to maintain itself in a titanic revolt against heaven. Granted, darkness, chaos, death and hell do appear, but not for a moment are they allowed to prevail. Knowing all, Mozart creates music from a mysterious center, and so knows the limits to the right and the left, above and below. He maintains moderation. As quoted in "Amadeus : Sin, Salvation and Salieri" in Saint Paul at the Movies : The Apostle's Dialogue with American Culture (1993) by Robert Jewett, p. 37, and Melting the Venusberg : A Feminist Theology of Music (2004) by Heidi Epstein, p. 72.

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