Marshall McLuhan cytaty (423 cytatów, strona 3)

Marshall McLuhan: 423 cytaty0 Polubień

Marshall McLuhan słynne cytaty

„Nowe media nie są pomostem między człowiekiem a naturą; są naturą.”

„Pewnego dnia historycy i archeologowie odkryją, że reklamy naszych czasów są najbogatszym i najwierniejszym odzwierciedleniem życia codziennego i wszelkich czynności ludzkich, jakie pozostawiło po sobie jakiekolwiek społeczeństwo. Pod tym względem hieroglify egipskie nawet nie umywają się do reklam.”

Marshall McLuhan

Źródło: Wybór pism, Warszawa 1975, s. 126, tłum. Karol Jakubowicz.

„Nowo powstała elektroniczna współzależność kształtuje świat na podobieństwo globalnej wioski.”

Marshall McLuhan

The new electronic interdependence recreates the world in the image of a global village. (ang.)
Źródło: Gutenberg Galaxy, 1962

„(…) przekaźnik jest przekazem.”

Marshall McLuhan

Źródło: Walery Pisarek, Słowa między ludźmi, Wydawnictwa Radia i Telewizji, Warszawa 1985, s. 14.

„Wychowywać to znaczy uczynić niewrażliwym na telewizję.”

Marshall McLuhan

Źródło: Nieprzyjemne prawdy. Aforyzmy naszych czasów, KAW, 1987, wybór i tłum. Henryk Zdanowski, s. 96.

„(…) treścią (albo raczej „zawartością”) danego przekaźnika jest inny przekaźnik. Treścią pisma jest mowa, wszelkie zaś słowo pisane jest treścią druku, podobnie jak druk jest zawartością telegrafu.”

Marshall McLuhan

Źródło: Walery Pisarek, Wstęp do nauki o komunikowaniu, Wydawnictwa Akademickie i Profesjonalne, Warszawa 2008, s. 77.

„Przez telewizję świat stał się wsią, a spora część programów przypomina wsiowe plotki.”

Marshall McLuhan

Marshall McLuhan: Cytaty po angielsku

“Phenomenology is dialectic in ear-mode – a massive and decentralized quest for roots, for ground.”

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Marshall McLuhan

Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 62

“The Gutenberg galaxy was theoretically dissolved in 1905 with the discovery of curved space, but in practice it had been invaded by the telegraph two generations before that.”

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Marshall McLuhan

Źródło: 1960s, The Gutenberg Galaxy (1962), p. 286

“Man becomes, as it were, the sex organs of the machine world, as the bee of the plant world, enabling it to fecundate and to evolve ever new forms. The machine world reciprocates man's love by expediting his wishes and desires, namely, in providing him with wealth. (p.46)”

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Marshall McLuhan książka Understanding Media: The Extensions of Man

Understanding Media (1964)

“The logos of creation, 'And God Said…' formed the basis of Christian interpretation of the 'Book of Nature.”

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Marshall McLuhan

Źródło: Laws of Media: The New Science (with Eric McLuhan) (1988), p. 217

“Environments are not just containers, but are processes that change the content totally.”

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Marshall McLuhan

American scholar, Volume 35, 1965, p. 200
1960s

“Typography tended to alter language from a means of perception and exploration to a portable commodity.”

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Marshall McLuhan

Źródło: 1960s, The Gutenberg Galaxy (1962), p. 183

“Faced with information overload, we have no alternative but pattern-recognition.”

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Marshall McLuhan

Źródło: 1960s, Counterblast (1969), p. 132

“The business of art is no longer the communication of thoughts or feelings which are to be conceptually ordered, but a direct participation in an experience. The whole tendency of modern communication…is towards participation in a process, rather than apprehension of concepts.”

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Marshall McLuhan

Letter to Harold Adam Innis (14 March 1951), published in Essential McLuhan (1995), edited by Eric McLuhan and Frank Zingrone, p. 73
1950s

“As Narcissus fell in love with an outering (projection, extension) of himself, man seems invariably to fall in love with the newest gadget or gimmick that is merely an extension of his own body.”

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Marshall McLuhan

1990s and beyond, "The Agenbite of Outwit" (1998)

“Q: Why is America the land of the overrated child and the underrated adult? Q: How can children grow up in a world in which adults idolize youthfulness? Q: What happens when the ad makers taker over all the popular myths and poetry?”

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Marshall McLuhan

Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 141

“The new media are not bridges between man and nature: they are nature.”

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Marshall McLuhan

Źródło: 1960s, Counterblast (1969), p. 14

“The message of radio is one of violent, unified implosion and resonance.”

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Marshall McLuhan

Źródło: 1960s, Understanding Media (1964), p. 263

“The images of mankind have become the most basic thing about them. And they're all software, and disembodied.”

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Marshall McLuhan

Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 346

“New media are new languages, their grammar and syntax yet unknown.”

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Marshall McLuhan

Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 229

“People in new environments always produce the new preceptual modality without any difficulty or awareness of change. It is later that the psychic and social realignments baffle societies.”

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Marshall McLuhan

ARTnews annual, Volume 31, Art Foundation, 1966, p. 56
1960s

“Man in the electronic age has no possible environment except the globe and no possible occupation except information-gathering.”

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Marshall McLuhan

1990s and beyond, "The Agenbite of Outwit" (1998)

“Each tetrad gives the etymology of its subject, as an uttering or outering of the body physical or mental, and provides its anatomy in fourfold exegetical manner.”

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Marshall McLuhan

Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 224

“The invention of typography confirmed and extended the new visual stress of applied knowledge, providing the first uniformly repeatable “commodity,” the first assembly-line, and the first mass-production.”

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Marshall McLuhan

Źródło: 1960s, The Gutenberg Galaxy (1962), p. 142

“McLuhan after his September 1979 stroke. Brand, Stewart. "McLuhan's last words." New Scientist, 29 Jan 1981.”

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Marshall McLuhan

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1980s

“King Lear is a working model of the process of denudation by which men translate themselves from a world of roles to a world of jobs.”

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Marshall McLuhan

Źródło: 1960s, The Gutenberg Galaxy (1962), p. 16

“The media themselves are the avant-garde of our society. Avant-garde no longer exists in painting, music and poetry, it's the media themselves.”

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Marshall McLuhan

Źródło: 1990s and beyond, A McLuhan Sourcebook (1995), p. 274

“The Greek “point of view” in both art and chronology has little in common with ours but was much like that of the Middle Ages.”

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Marshall McLuhan

Źródło: 1960s, The Gutenberg Galaxy (1962), p. 64

“At the very high speed of living, everybody needs a new career and a new job and a totally new personality every ten years.”

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Marshall McLuhan

1970s, Forces interview (1973)

“The new media are not bridges between man and nature - they are nature…The new media are not ways of relating us to the old world; they are the real world and they reshape what remains of the old world at will.”

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Marshall McLuhan

Media as the New Nature, 1969, p. 14
1960s

“Electric technology is directly related to our central nervous systems, so it is ridiculous to talk of "what the public wants" played over its own nerves.”

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Marshall McLuhan

Źródło: 1960s, Understanding Media (1964), p. 68

“Typography as the first mechanization of a handicraft is itself the perfect instance not of a new knowledge, but of applied knowledge.”

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Marshall McLuhan

Źródło: 1960s, The Gutenberg Galaxy (1962), p. 171

“The Greeks invented both their artistic and scientific novelties after the interiorization of the alphabet.”

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Marshall McLuhan

Źródło: 1960s, The Gutenberg Galaxy (1962), p. 66

“When new technologies impose themselves on societies long habituated to older technologies, anxieties of all kinds result.”

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Marshall McLuhan

Location, Volume 1 Issues 1-2, 1963, p. 44
1960s

“Speech structures the abyss of mental and acoustic space…it is a cosmic, invisible architecture of the human dark.”

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Marshall McLuhan

Źródło: 1960s, Counterblast (1969), p. 13

“It is the medium that shapes and controls the scale and form of human association and action.”

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Marshall McLuhan

Źródło: 1960s, Understanding Media (1964), p. 9

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