Marshall McLuhan słynne cytaty
Źródło: Wybór pism, Warszawa 1975, s. 126, tłum. Karol Jakubowicz.
„Nowo powstała elektroniczna współzależność kształtuje świat na podobieństwo globalnej wioski.”
The new electronic interdependence recreates the world in the image of a global village. (ang.)
Źródło: Gutenberg Galaxy, 1962
„(…) przekaźnik jest przekazem.”
Źródło: Walery Pisarek, Słowa między ludźmi, Wydawnictwa Radia i Telewizji, Warszawa 1985, s. 14.
„Wychowywać to znaczy uczynić niewrażliwym na telewizję.”
Źródło: Nieprzyjemne prawdy. Aforyzmy naszych czasów, KAW, 1987, wybór i tłum. Henryk Zdanowski, s. 96.
Źródło: Walery Pisarek, Wstęp do nauki o komunikowaniu, Wydawnictwa Akademickie i Profesjonalne, Warszawa 2008, s. 77.
Marshall McLuhan: Cytaty po angielsku
“Omnipresence has become an ordinary human dimension.”
1970s, Forces interview (1973)
“Bless Madison Ave for restoring the magical art of the cavemen to suburbia.”
Źródło: 1960s, Counterblast (1969), p. 130
“My main theme is the extension of the nervous system in the electric age”
Letter to Robert Fulford, 1964. Letters of Marshall McLuhan (1987), p. 300
1960s
Kontekst: My main theme is the extension of the nervous system in the electric age, and thus, the complete break with five thousand years of mechanical technology. This I state over and over again. I do not say whether it is a good or bad thing. To do so would be meaningless and arrogant.
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 103
“In an age of multiple and massive innovations, obsolescence becomes the major obsession.”
"Innovation is obsolete", Evergreen review, Volume 15, Issues 86-94, Grove Press, 1971, p. 64
1970s
“The media have substituted themselves for the older world.”
"Education, Language, and Media". Cycle 7, 1973, p. 232
1970s
1970s, The argument: causality in the electric world (1973)
Źródło: 1970s, Take Today : The Executive as Dropout (1972), p. 8
“Languages are environments to which the child related synesthetically.”
Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 166
“Cartoons drove the photo back to myth and dream screen.”
1970s, Culture Is Our Business (1970)
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 15
“Obsolescence is the moment of superabundance.”
Yeats studies, Issue 2, Irish University Press, 1972, p. 135
1970s
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 74
Źródło: 1970s, Take Today : The Executive as Dropout (1972), p. 152
Źródło: 1960s, Counterblast (1969), p. 99
"Violence in the media." Canadian Forum. Volume 56, 1976, p. 9
1970s
“One touch of nature makes the whole world tin.”
1970s, Culture Is Our Business (1970)
Źródło: 1960s, The Gutenberg Galaxy (1962), p. 272
Źródło: 1970s, Culture Is Our Business (1970), p.66
Źródło: 1960s, The Gutenberg Galaxy (1962), p. 177
Źródło: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 21
“In the electric age we wear all mankind as our skin.”
Źródło: 1960s, Understanding Media (1964), p. 47
“The Greeks encountered the confusion of tongues when numbers invaded Euclidean space.”
Źródło: 1960s, The Gutenberg Galaxy (1962), p. 203
“The book is a private confessional form that provides a “point of view.””
1960s, Understanding Media (1964)
“At electric speed, all forms are pushed to the limits of their potential.”
Źródło: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 109
