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Letitia Elizabeth Landon cytaty
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Letitia Elizabeth Landon – angielska pisarka i poetka epoki romantyzmu. Była autorką, a później redaktorką Literary Gazette. Swoje utwory podpisywała zwykle inicjałami L.E.L. Do jej najbardziej znanych utworów należy

monolog The Improvisatrice i cykl oparty na motywach biblijnych The Easter Gift . Wikipedia  

✵ 14. Sierpień 1802 – 15. Październik 1838
Letitia Elizabeth Landon Fotografia
Letitia Elizabeth Landon: 785 cytatów0 Polubień

Letitia Elizabeth Landon: Cytaty po angielsku

“Communication is in itself civilization; we wear away our own prejudices only by contact with those of others. We are forced into making allowances, by seeing how much we need that they should be made for ourselves.”

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Letitia Elizabeth Landon

The Monthly Magazine

“An Alma girl! oh shame, deep shame,
To Brahma's race and Brahma's name!
Unmarked, unpitied, she turned aside,
For a moment her bursting tears to hide.
None thought of the Bayadere, till the fire
Blazed redly and fiercely the funeral pyre,
Then like a thought she darted by,
And sprang on the burning pile to die!”

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Letitia Elizabeth Landon

The Bayadere from The London Literary Gazette (30th August, 6th and 13th September 1823)
The Improvisatrice (1824)

“Ah! love is even more fragile than its gifts!
A tress of raven hair: oh, only those
Whose souls have felt this one idolatry
Can tell how precious is the slightest thing
Affection gives and hallows.”

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Letitia Elizabeth Landon

The Improvisatrice (1824)

“The Dead! the Dead! and sleep they here,
The lost of other years —
The Dead! the Dead! can they be here,
Where nought of Death appears?”

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Letitia Elizabeth Landon

(7th October 1826) The Tumuli
The London Literary Gazette, 1826

“His shroud was damp, his face was white:
He said,—"I cannot sleep,
Your tears have made my shroud so wet;
Oh, mother, do not weep!"
Oh, love is strong!—the mother's heart
Was filled with tender fears;
Oh, love is strong!—and for her child
Her grief restrained its tears.”

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Letitia Elizabeth Landon

The Little Shroud from The London Literary Gazette (28th April 1832)
The Vow of the Peacock (1835)

“The influence of a woman's first love is felt on her whole after-existence: never can she dream such dream again. For a woman there is no second-love—youth, hope, belief, are all given to her first attachment; if unrequited, the heart becomes its own Prometheus, creative, ideal, but with the vulture preying upon it for ever.—If deceived, the whole poetry of life is gone; the very essence of poetry is belief, and how can she, whose sweet eager credulity has once learnt the bitter truth—that its reliance was in vain, how can she ever believe again?”

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Letitia Elizabeth Landon

The Monthly Magazine

“To this fine spirit our earth owes her greatest:
For the future is purchased by scorning the present,
And life is redeemed from its clay soil by fame.
* King, not a vestige remains of your palaces;
Conqueror, forgotten the fame of your battles:
But the Poet yet lives in the sweetness of music—
He appeal'd to the heart, that never forgets.”

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Letitia Elizabeth Landon

The Three Brothers from The London Literary Gazette (20th June 1829) as Fame : An Apologue
The Vow of the Peacock (1835)

“We differ widely from each other; do we not, as circumstances change around us, moulding us like slaves to their will — do we not differ yet more from ourselves?”

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Letitia Elizabeth Landon

Literary Remains

“TO-MORROW, to-morrow, thou loveliest May,
To-morrow will rise up thy first-born day;
Bride of the summer, child of the spring,
To-morrow the year will its favourite bring:”

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Letitia Elizabeth Landon

The Golden Violet - title poem - introduction
The Golden Violet (1827)

“Yes, solitude amid her depths has many a hidden balm
Guarded for those who leave her not, to strengthen and to calm.”

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Letitia Elizabeth Landon

Fisher's Drawing Room Scrap Book, 1835 (1834), 'Chapter House, Furness Abbey' translation from an epistle of St. Beuve to A. Fontenay. (Presumably Charles Augustin Sainte-Beuve)
Translations, From the French

“How much of the full heart must be
A seal’d book at whose contents we tremble?”

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Letitia Elizabeth Landon

(1837 1) (Vol. 49) We Might Have Been
The Monthly Magazine

“Imagination's truth is from its power:
Man's genius can create when nature's felt;
He copies when he deems that he invents.”

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Letitia Elizabeth Landon

Translations, From the French

“The Painter's skill has seized a moment where
Her hand is wreathing mid his raven hair;
And he is bent in worship, as that touch,
That soft light touch, were ecstasy too much.
He is just turned from that bewildering face
To the fair arm that holds the magic vase —
The purple liquor is just sparkling up —
The youth has pledged his heart's truth on that cup!”

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Letitia Elizabeth Landon

(10th August 1822) Sketches from Drawings by Mr. Dagley. Sketch the Third. The Cup of Circe
The London Literary Gazette, 1821-1822

“Youth suffers but for a season; the bowed but unbroken spirit resumes its elasticity; the future, unknown and beautiful, wins the present to itself, and the past waits for that dark and overwhelming influence which sooner or later will darken our whole horizon.”

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Letitia Elizabeth Landon

Other Gift Books

“As steals the dew along the flower,
So stole thy smile on me;
I cannot tell the day, nor hour
I first loved thee!”

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Letitia Elizabeth Landon

(1836-2) (Vol.47) Songs-IV.
The Monthly Magazine

“Alas! when angry words begin
Their entrance on the lip to win;
When sullen eye and flushing cheek
Say more than bitterest tone could speak;
And look and word, than fire or steel,
Give wounds more deep,—time cannot heal;
And anger digs, with tauntings vain,
A gulf it may not pass again.”

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Letitia Elizabeth Landon

The Golden Violet - The Ring
The Golden Violet (1827)

“Of all the fowls that sweep the air
None with the Peacock may compare;
Not only for its loveliness,
Though queens in vain might ask such dress,
But o'er those painted plumes are cast
So many shadows from the past”

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Letitia Elizabeth Landon

The Vow of the Peacock (1835)

“There is a deep impression of awe produced by such a vast but silent crowd; we are at once conscious that the cause is terrible which can induce the unusual stillness. The issue of a trial on which hangs life or death, is indeed an appalling thing. We know that men are about to take away that which they cannot give—that a few words of human breath will deprive of breath one of the number for ever; and though we acknowledge that in this evil world punishment is the only security against crime, and that blood for blood has been a necessity from the beginning of time; still, we feel that the necessity is a dreadful one.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“The leaves were gone from all, save where the pine
Threw the wide shadow of its unchang'd green.
I could not envy it that fadeless state.—
Ah! who would be the last, the only one
That ruin spares—no; if the blight must pass
O'er all around, let it pass o'er me too!”

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Letitia Elizabeth Landon

Canto II, X
The Fate of Adelaide (1821)

“We say that people and that things are changed;
Alas! it is ourselves that change : the heart
Makes all around the mirror of itself.”

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Letitia Elizabeth Landon

The London Literary Gazette, 1829

“One sweet whisper from her came;
And he drank to catch her breath, —
Wine and sigh alike are death!”

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Letitia Elizabeth Landon

(1836-3) (Vol.48) Subjects for Pictures. Second Series. II. A Supper of Madame de Brinvilliers
The Monthly Magazine

“But youth is as a flowing stream, on whose current the shadow may rest but not remain.”

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Letitia Elizabeth Landon

Other Gift Books

“What a falsehood it is to say that genius and industry are incompatible! Does one work of genius exist that has not also been a work of labour?”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“I own that I have known greater misfortunes in life than that a young gentleman and lady of twenty should have to wait a twelve-month before they were married; but every person considers their own the worst that ever happened…”

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Letitia Elizabeth Landon

The Monthly Magazine

“Never day-beam hath shone o'er
Lovelier or wilder shore!
Half was land, and half was sea
Where the eye could only see
The blue sky for boundary.”

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Letitia Elizabeth Landon

(30th November 1822) Fragments in Rhyme V: the Happy Isle
7th December 1822) Fragments in Rhyme VI: The Painter's Love see The Improvisatrice (1824
14th December 1822) Fragments in Rhyme VII: Manmadin, The Indian Cupid. Floating down the Ganges see The Improvisatrice (1824
21st December 1822) Fragments in Rhyme IX: The Female Convict see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

“The morning Sun arose —
Still the festal board was spread —
Still hosts and guests were round;
But hosts and guests were dead!”

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Letitia Elizabeth Landon

22nd April 1826) The Death-Feast (under the pen name Iole
The London Literary Gazette, 1826

“Those cheerful bells, how can they bid
A welcome to the new-born Year?
I think on what the past has been;
I cannot hope—I only fear.”

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Letitia Elizabeth Landon

(4th January 1834) The New Year
The London Literary Gazette, 1833-1835

“I am persuaded there is no triumph equal to one achieved on the stage—it comes so immediate and so home : you have before you the mass of human beings whose sympathies are at your will; you witness the emotions which you raise, you see the tears which you command : the poet has erected the statue, but it is for you to give it life—the words must find their music on your lips—the generous sentiment, the exalted hope, the touches of deep feeling, ask their expression from you : surely such influence is among the triumphs of the mind, ay and a great and noble triumph.”

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Letitia Elizabeth Landon

Heath's book of Beauty, 1833 (1832)

“And here they met: where should Love’s meeting be —
Love passionate, and spiritual, and deep—
Where, but in such a haunted solitude—
A green and natural temple—fitting shrine
For vows the stars remember?”

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Letitia Elizabeth Landon

The Last of the St. Aubyns
Heath's book of Beauty, 1833 (1832)

“Peace to the weary and the beating heart,
That fed upon itself!”

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Letitia Elizabeth Landon

A History of the Lyre
The Venetian Bracelet (1829)

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