Alain de Botton cytaty
strona 4

Alain de Botton jest szwajcarsko-brytyjski pisarz.

✵ 20. Grudzień 1969  •  Natępne imiona آلن دو باتن, Alan de Botton
Alain de Botton Fotografia
Alain de Botton: 146 cytatów0 Polubień

Alain de Botton: Cytaty po angielsku

“In their different ways, art and philosophy help us, in Schopenhauer's words, to turn pain into knowledge.”

Alain de Botton książka The Consolations of Philosophy

Źródło: The Consolations of Philosophy (2000), Chapter V, Consolation For A Broken Heart, p. 199.

“It is striking how much more seriously we are likely to be taken after we have been dead a few centuries.”

Alain de Botton książka The Consolations of Philosophy

Źródło: The Consolations of Philosophy (2000), Chapter IV, Consolation For Inadequacy, p. 163.

“It would scarcely be acceptable, for example, to ask in the course of an ordinary conversation what our society holds to be the purpose of work.”

Alain de Botton książka The Consolations of Philosophy

Źródło: The Consolations of Philosophy (2000), Chapter I, Consolations For Unpopularity, p. 9.

“Our greatest furies spring from events which violate our sense of the ground of our existence.”

Alain de Botton książka The Consolations of Philosophy

Źródło: The Consolations of Philosophy (2000), Chapter III, Consolation For Frustration, p. 83.

“The greatest works of art speak to us without knowing us.”

Alain de Botton książka The Consolations of Philosophy

Źródło: The Consolations of Philosophy (2000), Chapter V, Consolation For A Broken Heart, p. 200.

“He was reminded of a Dutch book whose moral he often returned to: De Schoonheid van hoogspanningslijnen in het Hollandse landschap, written by a couple of academics in Rotterdam University, Anne Kieke Backer and Arij de Boode. The Beauty of Electricity Pylons in the Dutch Landscape was a defence of the contribution of transmission engineering to the visual appeal of Holland, referencing the often ignored grandeur of the towers on their march from power stations to cities. Its particular interest for Ian, however, lay in its thesis about the history of the Dutch relationship to windmills, for it emphasised that these early industrial objects had originally been felt to have all the pylons’ threateningly alien qualities, rather than the air of enchantment and playfulness now routinely associated with them. They had been denounced from pulpits and occasionally burnt to the ground by suspicious villagers. The re-evaluation of the windmills had in large part been the work of the great painters of the Dutch Golden Age, who, moved by their country’s dependence on the rotating utilitarian objects, gave them pride of place in their canvases, taking care to throw their finest aspect into relief, like their resilience during storms and the glint of their sails in the late afternoon sun. … It would perhaps be left to artists of our own day to teach us to discern the virtues of the furniture of contemporary technology.”

Alain de Botton

Źródło: The Pleasures and Sorrows of Work (2009), p. 212.

“It is by finding out what something is not that one comes closest to understanding what it is.”

Alain de Botton książka The Consolations of Philosophy

Źródło: The Consolations of Philosophy (2000), Chapter I, Consolations For Unpopularity, p. 25.

“Happiness may be difficult to obtain. The obstacles are not primarily financial.”

Alain de Botton książka The Consolations of Philosophy

Źródło: The Consolations of Philosophy (2000), Chapter II, Consolation For Not having Enough Money, p. 72.

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